Mary Pope Osbone, Kate and the Beanstalk. Illustrated by Giselle Potter. (New York: Aladdin Books, 2000.)
The story of Jack and the beanstalk always frightened me as a child--and not just the giant himself. The rage of Jack's mother, his stupidity, the giant's cupidity, the unjustness of the ending--all of it horrified me. But here is a reworking of the tale that is tremendously satisfying because of its emphasis on justness.
Kate and her mother are terribly poor, and so are forced to sell their only cow at market. But on her return, Kate encounters a beggar who offers her a handful of magic beans that shine like dark gold. Her mother, however, is despairing, and throws the beans out the window. Kate, unable to sleep that night, goes into the garden, where she discovers a gigantic beanstalk that stretches into the clouds. And she climbs it.
She arrives in another country, where an old woman tells her the story of a noble knight murdered for his treasures, his wife and child spared only by their absence, but suffering now in terrible poverty. The return of the treasure that is rightfully theirs would save them. Kate determines to help them. She enters the castle not once but three times to rescue each precious object, and only then does she discover the whole truth of the castle.
Potter's stylized drawings strike just the right note here, dramatizing the story while removing it from the realm of the real.